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About

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PC: Uday Balwalkar

Priya Sarukkai Chabria is an Indian writer and scholar of fourteen books which span poetry, speculative fiction, literary non-fiction, translation and, as editor, three poetry anthologies. Her work across genres is published internationally, and is also extensively anthologised. She’s won awards.

Her books include:

  • EARTHRISE Stories Pasts Presents Potentials, Earth/ Climate fiction, (A Red River Stories Series edited by Sucharita Dutta-Asane, Red River, 2025)

  • Poetry at Sangam’s The Dragon’s Heart: World Poetry in Translation, Eds. Priya Sarukkai Chabria and Mrinalini Harchandrai, (Jadavpur University Press, 2025.)

  • Five Poems, poetry chapbook, (Series Editor Ashwani Kumar, Red River & Indian Novels Collective, 2025)

  • Sing of Life: Revisioning Tagore’s Gitanjali, poetry, (Context/ Amazon/Westland, 2021)

  •  Calling Over Water, poetry (Poetrywala, 2019)

  • Clone, speculative fiction, (Zubaan, University of Chicago Press, 2018)

  • Fafnir’s Heart World Poetry in Translation, Ed. (Bombaykala Books, 2018)

  • Andal: The Autobiography of a Goddess, translations from Classical Tamil, with Ravi Shankar (Zubaan, Univ of Chicago Press, 2016) 

  • Bombay/Mumbai: Immersions, non-fiction, with British photographer Christopher Taylor, (Niyogi Books, 2013) 

  • Not Springtime Yet, poetry, (HarperCollins (India), 2008) 

  • Generation 14, speculative fiction (Zubaan-Penguin, New Delhi, 2008)

  • Dialogues and Other Poems, (Sahitya Akademi Golden Jubilee Publication, 2005, reprint 2006) 

  • 50 Poems, 50 Poets Ed. (Open Space, 2004)

  • The Other Garden, novel, (Rupa, Delhi,1995)

Priya is Founding Editor of the literary journal Poetry at Sangamnow an online resource of over 3000 poems, translators’ reflections and guest editors’ notes.  Earlier, she also developed and edited the poetry archive, Talking Poetry India.

Priya studied the Sanskrit Rasa Theory of aesthetics and Tamil Sangam (around 2-4BCE) poetics which she channels into her poetry, translation and fiction. She learnt Pali to read the Jataka Tales that also flow into her writing. As a cineaste she co-founded the film society Friends of the Archive in Mumbai and co-scripted the film Dhaara by Suresh Chabria which won the Critics Prize at the Oberhausen Film Festival. She has collaborated with classical dancer Malavika Sarukkai on Fireflies, a hybrid arts production of miniature paintings, Bharatanatyam dance and poetry in English. With ANDAL! Girl, Poet, Goddess, performed with The Bhakti Collective which included classical and contemporary dancer Anita Ratnam she toured urban centres in India to raise funds for the Tata Medical Trust, Kolkata. Priya happily devoted a significant part of eleven years to sharing the poetry and translation of fellow writers via Poetry at Sangam of which she is Founding Editor. She doesn’t bend her writing to suit marketplace demands. She travels. Looks out of the window. Believes the spiritual is found in the everyday; everyday she is filled with wonder. And gratitude.
 

Invited to international and Indian residencies and literary festivals Priya has presented her work at Sun Yat-sen University International Writers Residency, Guangzhou; The Writer’s Centre, University of East Anglia; WrICE (Writers Immersion and Cultural Exchange), RMIT, Australia, Commonwealth Literature Conclave, Innsbruck; Sangam House, Bengaluru; UCLA, USA; Indian Institute of Advanced Studies, Simla; Cinematateca Espanola, Spain; Frankfurt Book Fair; Asia Arts Festival, Singapore; Jaipur Literary Festival; National Centre for the Performing Arts and Kala Ghoda Festival, Mumbai; ‘Alphabet City’, Toronto; Bengaluru Poetry Festival; Samanvay, Indian Habitat Centre and India International Centre, Delhi; Prakriti Poetry Festival, Chennai; The Chair Poetry Festival, Kolkata etc.

Prizes include The Muse Translation Award 2017 for her translations from Classical Tamil for Andal The Autobiography of a Goddess, the Experimental Fiction Award from Best Asian Speculative Fiction Kitab Anthology for short story Slo-Glo, her speculative fiction novel Clone was selected in 2018 as Best Reads by Feminist Press; she has also been recognised for her Outstanding Contribution to Literature by the Government of India.
 

Anthology publications include Adelphiana, Another English: Anglophone Poems from Around the World, Avatar, A Book of Bhakti Poetry, Asymptote, Divining Dante, Ecoceanic: Southern Flows, Finding
Radha, 100 Great Indian Poems, In Other Words: The British Journal of Literary Translation, Kenyon Review, Language For A New Century, Mai Feminism and Visual Culture, Multispecies Cities: Solarpunk
Urban Futures, No News 90 Poets Respond to a Unique BBC Broadcast, PEN International, PR &TA, Post Road, Reliquiae Vol.8 1&2, Solarpunk Creatures, Soundings Journal of Politics and Culture, Southerly, Translating Bharat Reading India, The Literary Review Unmapped The Indian Poetry Issue, The Yellow Nib: Modern English Poetry by Indians, South Asian Review, The Gollancz Book of South Asian Science Fiction 1 & 2, In Other Words: The British Journal of Literary Translation, The Speculative Route Futures from South and Southwest Asia and North Africa, Voyages of Body and Soul: Selected Female Icons of India and Beyond, Westerly
etc. Her work has been translated into Indian and European languages.



Priya is translating the songs of 9th century Tamil mystic, Manikkavasagar, hoping to complete her memoir, Archives of Absence, and she’s gathering new poetry into a book. 

Interviews

The Dinner Party Reloaded 4: The Poets,
Lucy Writers Platform, May 2021

 

Lucy Writers/ Lucy Cavendish College, University of Cambridge provides the platform for a virtual dinner party hosted by Susanna Crossman where four poets Alina Stefanescue , Elodie Barnes, Nancy Campbell and Priya Sarukkai Chabria talk  about poets as ‘wonder-workers’, poems as rafts, writing the life of Djuna Barnes, revisiting Tagore’s Gitanjali & more.

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